Best rated fashion shows and trends today in 2022 with Hamza Qassim
Premium fashion presentations in 2022 by Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. After his experience over these years, Qassim gained more attention and started working with more famous labels, where he was seen modeling for brands like “Etro” and “Trashy clothing”, that featured Qassim, in top world magazines including, Vogue, and W magazine. With this experience, and his move from Amman to London, he had his first debut in London Fashion week under the Event “Fashion show live”.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: But look a bit deeper. At the pool, a model is actively being restrained and arrested. Zip ties are hanging from the belts. Imagery of gay Arab icons is plastered onto some of the skirts, as well as sleeveless muscle tanks that boast Armenian prints as an ode to Jerusalem’s Armenian culture and population. Here, Lawrence, who hails from East Jerusalem and is Palestinian with Armenian descent, along with his codesigner Omar Braika, a Palestinian refugee who lives in Jordan, wanted to reference the ongoing checkpoints and inspections that Palestinians have to go through while attempting to cross from into Israel, while also touching on perceptions of gay culture in the Middle East.
Our cast of Versace Women for AW22 is exciting, Donatella Versace said of the show. Girls like Avanti, Anyier and Tilly perfectly represent a Versace with new generation attitude and they champion diversity. They embody the energy running through the collection and the looks built on contrast and tension — like an elastic band pulled tight and about to snap-back with a build-up of energy. That feeling is just irresistible to me. It opens new possibilities and makes things happen. For Moschino autumn/winter 2022, creative director Jeremy Scott looked into the archives, specifically, the 1989 and 1990 collections, which had seen Franco Moschino introduce cutlery brooches and hot-and-cold faucet handles as accents in his ready-to-wear. Scott used this as a base, and then found more inspiration in the stately home. A close to home feeling ensued, yet it became complemented by a study bordering on the unusual, if not the Kubrickian: If someone, or something, was tasked with creating the clone of a grand manor today, would baroque picture frames, stately armoires, grandfather clocks and crystal-dripped chandeliers still mark the trappings of a monied dwelling?
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: The production of the clothing itself embodies the anguish of border separation. “In many cases, we have not even been able to meet many of the producers we work with in person,” Mjalli explains. And yet, the collective works alongside “an intimate creative network of Palestinians—from fabric vendors in Nablus, to embroiderers in Gaza, to tailors in Ramallah.” Meera Albaba, founder of the Meera Adnan label, makes intimate contemporary wear encompassing the geography and art of Palestine. She consistently seeks to amplify the voices of marginalized Palestinian people, and her garments seek to reclaim the Palestinian narrative. The silhouettes are romantic yet modern; her structured blazers and modest, straight-cut maxi-dresses, are made in a color palette reminiscent of the Palestinian landscape.